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Nick Venden

VR immersive 360 – 3D Audio – Music Composition – Interactive Digital Media – (and more)

  • Nick Venden – Composer & Digital Media Artist
  • Prototyping Tools for Interactive Music in VR and 360 Audio
  • MA/IN 2017 Intermedia at Casa Cava Matera, Italy
  • About Nick Venden
  • Virtual Reality Projects
  • Trump wins. The Stasi are at my door.
  • Archive of GearVR and Short Films.
  • Film Scores
  • Motion Graphics
  • Markerless Facial Capture for 3D Animation
  • Interactive Digital Technology – Live Generative Art – Art Installation
  • Studio Photography
  • Virtual Reality Experiences and Unity3D — LBCC presentation April 20

Recent Posts

  • MidJourney Image Original and Transformations
  • MidJourney images for reference
  • The Stream – a Sonnet and its Music in an Immersive Experience

Recent Comments

Archives

  • March 2023
  • August 2022
  • January 2021

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Virtual Reality

However, what’s wrong with this picture?

DigitalGalleryImage_01.tiff
  • • The screen is “broadcasting” not displaying interaction.
  • • The woman on the stool wearing an HMD has no controllers, no haptic feedback, and no agency in her experience.
  • • She has only 4 degrees of freedom (left/right, up/down inside a 360 degree sphere), not 6 degrees of freedom.
  • • She is tethered to a computer with a cable.
  • • Unacceptable Old School 2014

If interested, here is a two-part blog on the history of the Virtual Reality headsets.

https://teslasuit.io/blog/history-of-virtual-reality-ultimate-guide

https://teslasuit.io/blog/virtual-reality/history-virtual-reality-ultimate-guide-part-2

It’s missing most elements which create Immersion and Agency

 

  • • Six degrees of Freedom
  • • FOV 90 - 210 degrees (the human field-of-vision is 220)
  • • Haptics (haptic gloves, rumble platforms, subaudio body packs, full body suits TeslaSuit, etc.)
  • • Gaze Selection and Timed Gaze
  • • Voice Recognition
  • • Head Gesture Recognition
  • • Controller Inputs
  • • 360 degree spatialized audio

 

Other Considerations:

Is it an Embodied Experience?

Does it qualify as an Empathy Machine?

Is there User-Generated Content?

What are the Social, Psychological, and Political aspects?

 

degrees-of-freedom.jpg

Film Scores

Shimai (2015)ShimaiThumbnail Animation by Alex Balaban, Music by Nick Venden

The Voyeur (2013)
Sequence 01.Still001newportMusic, Cinematography, and Editing by Nick Venden

No Horizon (2013)

Written and Directed by Keenan J. Mock – Music by Nick Venden

NoHorizons_posterImage.Still002NoHorizons_posterImage.Still005NoHorizons_posterImage.Still003

laurels

Original music by Nick Venden

Keenan talks about his film.

Film trailer with additional original music

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